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Библиография

Библиография к первому изданию книги включала около 500 названий. Теперь к ним прибавилось еще более 200. Поскольку в этой книге о дизайне использовался многодисциплинарный подход, я попытался составить библиографию в таком же духе. Наряду с книгами, посвященными футурологии, окружающей среде, народной культуре и дизайну, библиография содержит перечень книг (а иногда газет, каталогов и брошюр), посвященных экологии, этологии, экономике, биологии, планированию, психоло­гии, литературе, антропологии, политике и наукам о поведении. Назначение библиографии – указать издания, с которых стоило бы начать дизайнеру или изучающему дизайн студенту, желающему ознакомиться с литературой, которая помогла бы проследить взаимосвязи дизайна с другими дисциплинами.

От линейного мышления эпохи Возрождения (этого великого заката, который человечество приняло за рассвет), когда люди считали, что все поддается классификации, мы унаследовали нашу любовь к графикам, подразделениям и составлению списков и перечней; желая классифицировать области знания, слишком широкие для понимания, мы, как правило, делаем роков ошибку – готовим узких специалистов.

Но, приближаясь к 2000 году и наблюдая, как рушатся стены которые предыдущие поколения с таким трудом воздвигли из песка своих статистических измышлений, мы понимаем, что нам больше не нужно разделение на отрасли – нам нужно един­ство (единый всеохватывающий взгляд на вещи). Итак не специализация, а синтез.

Только при таком видении проблем между вами и каждой прочитанной вами книгой может возникнуть значимый органи­чный паттерн. Из всех битв, выдержанных вами с автором, из новой информации и догадок, почерпнутых вами из его книги, из ошибок и неясностей, которые вы обнаружите в его работе, вырастет новая сущность, которая обогатит вас.

В предисловии к первому изданию я писал, что не мог найти «книги по дизайну, которую хотел бы прочитать и порекомендо­вать студентам и моим коллегам-дизайнерам... В итоге я решил написать книгу, которую сам с интересом прочитал бы». С тех пор было издано с десяток книг о дизайне, среди которых есть несколько превосходных.


Mayal, W.H. Principles in Design. New York:

Van Nostrand Reinhold, 1979.

Nelson, George. How to See. Boston: Little Brown & Co., 1977.

___. On Design. New York: Whitney Publications, 1979.

Pile, John F. Design: Purpose, Form, and Meaning. Amherst:

University of Massachusetts Press, 1979.

Potter, Norman. What is a Designer: Things, Places, Messages.

Reading, England: Hyphen Press, 1980.

Pye, David. The Nature and Aesthetics of Design. New York:

Van Nostrand Reinhold, 1978.

Williams, Christopher. Origins of Form. New York: Architectural Book

Publishing Co., 1981.

Но, к сожалению, ни в одной из них дизайн не рассматривается в социальном и человеческом измерении.

Critchlow, Keith. Time Stands Still. London: Gordon Fraser, 1979.

Docczi, Gyorgy. The Power of Limits. Boulder, Colorado:

Shambhala Publications, 1981.

Lawlor, Robert. Sacred Geometry. London: Thames & Hudson, 1982.

Эти три замечательные книги о связях между дизайном, биологией и геометрией.

Наконец я нашел две книги, где дизайн рассматривается в его взаимоотношениях с культурой и обществом.

Keller, Goroslav. Dizajn. Zagreb: Vjesnik, 1975.

Selle, Gert. Ideologic und Utopie des Design: zur Gesellschaftlichen Theorie der

Industriellen Formgebung. Cologne: DuMont, 1975.

Но эти книги трудно читать на языке оригинала, а переведены они не были.

Природа и дизайн

Alexander, Christopher. The Linz Cafe/Das Linz Cafe. New York:

Oxford University Press, 1981.

___. Notes on the Synthesis of Form. Cambridge, Massachusetts:

Harvard University Press, 1964.

___. «Systems Generating Systems», in Systemat. Inland Steel Co., 1967.


___. A Timeless Way of Building. New York: Oxford University Press, 1979.

Alexander, Christopher; Ishikawa, Sara; and Silverstein, Murray.

A Pattern Language. New York: Oxford University Press, 1977.

Alexander, R. McNeill. Animal Mechanics. Sidgwick & Jackson, 1968.

Architectural Research Laboratory. Structural Potential of Foam Plastics

for Housing in Underdeveloped Areas. Ann Arbor, Michigan, 1966.

Baer, Steve. Dome Cookbook. Corrales, New Mexico:

Lama Foundation, 1969.

Bager, Bertel. Nature as Designer. Frederick Same, 1971.

«Bionik.» Special number of Urania magazine.

Leipzig, Germany, August, 1969.

Blake, Peter. Form Follows Fiasco. Boston: Atlantic, Little, Brown,1977.

Bootzin, D., and Muffley, H.C. (eds.). Biomechanics. New York:

Plenum Press, 1969.

Borrego, John. Space Grid Structures. Cambridge, Massachusetts:

M.I.T. Press, 1968.

Boys, С V. Soap-Bubbles. London:

Heinemann Educational Books, 1960.

Brand, Stewart (ed.). The Whole Earth Catalog (all issues).

Menlo Park, California, 1968-1970.

Burkhardt, Dietrich; Schleidt, Wolfgang; and Altner, Helmut. Signals

in the Animal World. London: Alien & Unwin, 1967.

Clark, Sir Kenneth. The Nude. Middlesex: Penguin, 1970.

Cook, Theodore Andrea. The Curves of Life.

London: Constable & Co., 1940.

Critchlow, Keith. Order in Space. London: Thames & Hudson, 1969.

Cundy, M. Martyn, and Roller., A.P. Mathematical Models. (2d ed.).

New York: Oxford University Press, 1962.

Doczi, Gyorgy. The Power of Limits: Proportional Harmonies in Nature,

Art and Architecture. Boulder, Colorado:


Shambhala Publications, 1981.

Fathy, Hassan. Architecture for the Poor. Chicago:

University of Chicago Press, 1973.

Ganich, Rolf. Konstruktion, Design, Aesthetik, Germany:

Esslingen am Neckar, 1968.

Gerardin, Lucien. Bionics. London: Weidenfeld & Nicolson, 1968.

Grille, Paul Jacques. What Is Design? Chicago: Paul Theobald, 1962.

Hertel, Heinrich. Structure, Form and Movement: Biology and Engineering.

New York: Van Nostrand Reinhold, 1966.

Heythum, Antonin. On Art, Beauty and the Useful. Stierstadt im Taunus,

Germany: Verlag Eremiten-Presse, 1955.

Hoenich, P.K. Robot Art. Haifa, Israel: Technion, 1962.

Holden, Alan, and Singer, Phyllis. Crystals and Crystal Crowing. London:

Heinemann Educational Books, 1961.

Huntley, H.E. The Divine Proportion. New York: Dover, 1970.

Jenny, Hans. Cymatics: The Structure and Dynamics of Waves and Vibrations.

Basel: Basilius Presse, 1967.

Kare, Morley, and Bernard, E.E. (eds.). Biological Prototypes

and Manmade Systems. New York: Plenum Press, 1962.

Kanavolos, William. Organic. Hilversum, Holland: De Jong & Co., 1961.

Keller. Goroslav. Dizajn. Zagreb: Vjesnik, 1975.

___. Ergonomija za Dizajnere. Belgrade: «Ergonomija» 1978.

Lawlor, Robert. Sacred Geometry. New York: Crossroad, 1982.

Hegroponte Nicholas. The Architecture Machine.

Cambridge, Massachusetts: M.I.T. Press, 1970.

Oliver, Paul. Shelter and Society. London: Barrie & Jenkins, 1970.

___. Shelter in Africa. New York: Praeger, 1971.

___. Shelter, Sign and Symbol. New York: The Overlook Press, 1977.

Otto, Frei (ed.). Pneumatic Structures, Vol. 1 of Tensile Structures.


Cambridge, Massachusetts: M.I.T. Press, 1967.

___. Cables, Nets and Membranes, Vol. 2 of Tensile Structures.

Cambridge, Massachusetts: M.I.T. Press, 1969.

Pawlowski, Andrzej. Fragmenty Prac Naukowo-Badawczych.

Krakau, Poland, 1966.

Pearce, Peter. Structure in Nature is a Strategy for Design. Cambridge,

Massachusetts: M.I.T. Press, 1978.

Pearce, Peter, and Pearce, Susan. Experiments in Form. New York:

Van Nostrand Reinhold, 1978.

___. Polyhedra Primer. New York: Van Nostrand Reinhold, 1978.

Popko, Edward. Geodesies. Detroit: University of Detroit Press, 1968.

Ritterbush, Philip C. The Art of Organic Forms. Washington, D.C.:

Smithsonian Press, 1968.

Schillinger, Joseph. The Mathematical Basis of the Arts. New York:

Philosophical Library, 1948.

Schwenk, Theodor. Sensitive Chaos: The Creation of Flowing Forms

in Water and Air. Rudolf Steiner Press, 1965.

Selle, Gert. Ideologic und Utopie des Design. Cologne: DuMont, 1973.

Sinnott, Edmund W. The Problem of Organic Form. New Haven, Connecticut:

Yale University Press, 1963.

Thompson, Sir D'Arcy Wentworth. On Growth and Form (2 vols.).

Cambridge: Cambridge University Press, 1952.

Turner, John F. С Housing by People: Towards Autonomy in Building

Environments. London: MarionBoyars Ltd., 1976.

Watkin, David. Morality and Architecture. Oxford: Clarendon Press, 1977.

Wedd, Dunkin. Pattern & Texture. New York: Studio Books, 1956.

Weyl, Hermann. Symmetry. Princeton, New Jersey:

Princeton University Press, 1952.

Whyte, Lancelot Law. Accent on Form. New York: Harper, 1954.


___.Aspects of Form. London: Lund Humphries, 1951.

___. The Next Development in Man. New York: Mentor, 1950.

Williams, Christopher. Origins of Form. New York: Architectural Book

Publishing Company, 1981.

Zodiac (magazine). Vol. 19. Milan, Italy, 1969.

Дизайн и окружающая среда

Arvill, Robert. Man and Environment. Middlesex: Penguin, 1967.

Baer, Steve. Sunspots. Seattle: Cloudburst Press, 1979.

Boughey, Arthur S. Ecology of Populations. New York: Macmillan, 1968.

Calder, Ritchie. After the Seventh Day. New York: Mentor, 1967.

Commoner, Barry. Science and Survival. London: Gollancz, 1966.

Consumer's Association of Penang. Development and

the Environmental Crisis: A Malaysian Case.

Penang: Consumer's Association of Penang, 1982.

Curtis, Richard, and Hogan, Elizabeth. Perils of the Peaceful Atom.

London: Gollancz, 1970.

DeBell, Garrett (ed.). The Environmental Handbook.

New York: Ballantine, 1970.

Dubos, Rene. Celebrations of Life. New York: McGraw-Hill, 1981.

___. Man, Medicine, and Environment. Middlesex: Penguin, 1970.

___. The Wooing of Earth. New York: Charles Scribner, 1980.

Ehrlich, Paul. «Eco-Catastrophe!» Ramparts, September, 1968.

___. The Population Bomb. New York: Ballantine, 1970.

Giedion, Siegfried. Mechanization Takes Command. New York: Oxford

University Press, 1948.

___. Space, Time and Architecture. Cambridge, Massachusetts: Harvard

University Press, 1949.

___. The Beginnings of Architecture. Vol. 2. Princeton, New Jersey: Bollingen

Series, Princeton University Press, 1964.


___. The Eternal Present: The Beginnings of Art. Vol. 1. Princeton, New

Jersey: Bollingen Series, Princeton University Press, 1962.

Johnson, Warren. Muddling Tdward Frugality. San Francisco: Sierra Club

Books, 1978.

Kaprow, Allan. Assemblage, Environments and Happenings.

New York: Abrams, 1966.

Kouwenhoen, John A. The Beer Can by the Highway. New York:

Doubleday, 1961.

___. Haifa Truth is Better than None.

___. Chicago: University of Chicago Press, 1982.

___. Made in America. New York: Doubleday, 1948.

Kuhns, William. Environmental Man. New York: Harper & Row, 1969.

Linton, Ron. Terracide: America's Destruction of Her Living Environment.

Boston: Little, Brown, 1970.

Lippard, Lucy R. Overlay: Contemporary Art and the Art of Pre-History.

New York: Pantheon, 1983.

Lovelock, J. E. Gaia: A New Look at Life on Earth.

New York: Oxford University Press, 1979.

Lynes, Russell. The Tastemakers. New York: Harper, 1954.

___. Confessions of a Dilettante. New York: Harper & Row, 1967.

___. 'The Domesticated Americans. New York: Harper & Row, 1963.

McHarg, Ian L. Design with Nature. New York: Natural History Press, 1969.

Marine, Gene. America the Raped: The Engineering Mentality and the

Devastation of a Continent. New York: Simon & Schuster, 1969.

Marx, Wesley. The Frail Ocean. New York: Ballantine, 1970.

Mitchell, John G. (ed.).Ecotactics. New York: Pocketbooks, 1970.

Mollison, Bill. Perma-Culture One. Melbourne: Transworld, 1978.

___. Perma-Culture Two. Stanley, Tazmania: Tagari Books, 1979.

Mumford, Lewis. Technics and Civilization.


New York: Harcourt, Brace, 1934.

___. The Brown Decades. New York: Dover, 1955.

___. The City in History. Middlesex: Penguin, 1966.

___. The Condition of Man. New. York: Harcourt, Brace, 1944.

___. The Conduct of Life. New York: Harcourt, Brace, 1951.

___. The Culture of Cities. New York: Harcourt, Brace, 1938.

___. From the Ground Up. New York: Harcourt, Brace, 1956.

___. Sticks and Stones. New York: Dover, 1955.

Paddock, William, and Paddock, Paul. Famine 1975!

Boston: Little, Brown, 1967.

Palmstierna, Hans. Plundring, Svalt, Forgiftning.

Orebro, Sweden: Raben & Sjogren, 1969.

Ramo, Simon. Cure for Chaos. New York: David McKay, 1969.

Rienow, Robert, and Train, Leona. Moment in the Sun.

New York: Ballantine, 1970.

Shepard, Paul. Man in the Landscape. New York: Knopf, 1967.

Shepard, Paul, and McKinley, Daniel. The Subversive Science: Essays Toward

an Ecology of Man. Boston: Houghton Mifflin, 1969.

Shurcliff, William A. S/S/T and Sonic Boom Handbook.

New York: Ballantine, 1970.

Smithsonian Institution. The Fitness of Man's Environment.

Washington, D.C.: Smithsonian Press, 1967.

Sommer, Robert. Big Art. Philadelphia: Running Press, 1977.

___. Design Awareness. San Francisco: Rinehart Press, 1972.

___. Personal Space: The Behavioral Basis of Design. Englewood Cliffs, New

Jersey: Prentice-Hall, 1969.

___. Street Art. New York: Links Books, 1975.

___. Tight Spaces. Englewood Cliffs, New Jersey: Prentice-Hall, 1974.

Sotamaa, Yrjo (ed.). Teollisuus, Ymparisto, Tuotesuunnittelu [Industry,


design, environment] (4 vols., trilingual). Helsinki, Finland, 1969.

Still, Henry. The Dirty Animal. New York: Hawthorn, 1967.

Taylor, Gordon Rattray. The Biological Time Bomb. London: Panther, 1969.

Todd, John, and Todd, Nancy. Tomorrow is our Permanent Address. New

York: Harper & Row, 1979.

United Nations. Chemical and Bacteriological (Biological) Weapons and the

Effects of Their Possible Use. New York: Ballantine, 1970.

Whiteside, Thomas. Defoliation. New York: Ballantine, 1970.

Дизайн и будущее

Allaby, Michael. Inventing Tomorrow. London: Abacus Books, 1977.

Alien, Edward. Stone Shelters. Cambridge, Massachusetts:

M.I.T. Press, 1969.

Calder, Nigel. The Environment Game. London: Panther, 1968.

___(ed.). The World in 1984. 2 vols. Middlesex: Penguin, 1965.

Chase, Stuart. The Most Probable World. New York: Harper & Row, 1968.

Clarke, Arthur С Profiles of the Future. London: Gollancz, 1962.

Cole, Dandridge M. Beyond Tomorrow.

Madison, Wisconsin: Amherst Press, 1965.

Cook, Peter. Experimental Architecture. New York: Universe Books, 1970.

Ellul, Jacques. The Betrayal of the West. New York: The Seabury Press, 1978-

___. The Technological Society. New York: Vintage, 1967.

___. The Technological System. New York: Continuum, 1980.

Ewald, William R. Jr. Environment and Change. The Next Fifty Years,

all: Bloomington, Ind.: Indiana University Press, 1968.

___. Environment and Policy. The Next Fifty Years.

___. (ed.). Environment for Man. The Next Fifty Years.

Fuller, R- Buckminster. Education Automation. Carbondale, Illinois:


Southern Illinois University Press, 1964.

___. Ideas and Integrities. Englewood Cliffs, New Jersey:

Prentice-Hall, 1963.

___. Nine Chains to the Moon. Philadelphia: J.B. Lippincott, 1938.

___. No More Secondhand God. Carbondale, Illinois:

Southern Illinois University Press, 1963.

___. Operating Manual for Spaceship Earth. Carbondale, Illinois:

Southern Illinois University Press, 1969.

___. Untitled Epic Poem on the History of Industrialization.

Highlands, North Carolina: Jonathan Williams Press, 1962.

___. Utopia or Oblivion. London: Alien Lane, 1970.

___. (ed.) .Inventory of World Resources, Human Trends and Needs

(World Science Decade 1965-75: Phase I, Document 1)

___. The Design Initiative (Phase I, Doc. 2).

___. Comprehensive Thinking (Phase I, Doc. 3).

___(ed.). The Ten Year Program (Phase I, Doc. 4).

___. Comprehensive Design Strategy (Phase I, Doc. 5).

___. The Ecological Context: Energy and Materials (Phase II, Doc. 6).

___. Synergetics. New York: Macmillan, 1975.

___. Synergetics 2. New York: Macmillan, 1979.

___. Critical Path. New York: St. Martin's Press, 1981.

Hellman, Hal. Transportation in the World of the Future.

New York: J.B. Lippincott, 1968.

Kahn, Herman, and Wiener, Anthony J. The Year 2000:

Scenarios for the Future. New York: Macmillan, 1967.

Krampen, Martin (ed.). Design and Planning. New York:

Hastings House, 1965.

___. Design and Planning 2. New York: Hastings House, 1967.

McHale, John. The Future of the Future. New York: George Braziller, 1969.


Marek, Kurt W. Yestermorrow. New York: Knopf, 1961.

Marks, Robert W. The Dymaxion World of Buckminster Fuller.

New York: Reinhold, i960. Morgan, Chris. Future Man? London:

David & Charles, 1980.

Prehoda, Robert W. Designing the Future. New York: Chilton, 1967.

Ribeiro, Darcy. The Civilizational Process.

Washington, D.C.: Smithsonian Press, 1968.

Schell, Jonathon. The Fate of the Earth. London: Pan Books, 1982.

Skinner, B.F. Walden Two. New York: Macmillan, 1948.

Toward the Year 2000: Work in Progress. Daedalus, summer 1967.

Биологические системы и дизайн

Ardrey, Robert. African Genesis. London: Collins, 1961.

___. The Hunting Hypothesis. New York: Atheneum, 1976.

___. The Social Contract. London: Collins, 1970.

___. The Territorial Imperative. London: Collins, 1967.

Bates, Marston. The Forest and the Sea. New York: Vintage, 1965.

Bateson, Gregory. Mind and Nature: A Necessary Unity. New York;

E.P. Dutton, 1979.

Birdsal, Derek. The Living Treasures of Japan. London:

Wildwood House, 1973.

Bliebtreu, John N. The Parable of the Beast. London: Paladin, 1970.

Blond, Georges. The Great Migration of Animals. New York:

Collier, Macmillan, 1962.

Broadhurst, P. L. The Science of Animal Behavior.

Middlesex: Penguin, 1963.

Brooks, John. Showing Off in America:

From Conspicuous Consumption to Parody Display.

Boston: Little, Brown, 1981.

Brunwald, Jan Harold. The Vanishing Hitchhiker: American Urban Legends

and Their Meanings. New York: W.W. Norton, 1981.

Burton, John. The Oxford Book of Insects.

Oxford: Oxford University Press, 1981.

Buxton, Jean. Religion and Healing in Mandari.

Oxford: The Clarendon Press, 1973.

Callan, Hilary. Ethology and Society: Towards an Anthropological View.

Oxford: The Clarendon Press, 1970.

Charter, S.P.R. For Unto Us a Child is Born:

A Human Ecological Overview of Population Pressures.

San Francisco: Applegate, 1968.

___. Man on Earth. San Francisco: Applegate, 1965.

Cohen, Abner. Custom and Politics in Urban Africa.

London: Rout-ledge & Kegan Paul, 1969.

___. Two-Dimensional Man. London: Routledge & Kegan Paul, 1974.

Critchfield, Richard. Villages. New York: Doubleday, 1981.

Darling, F. Fraser. A Herd of Red Deer. Oxford University Press, 1937.

Douglas, Mary. Implicit Meanings. London: Routledge & Kegan Paul, 1975.

___. Natural Symbols. New York: Pantheon, 1982.

___. Purity and Danger. London: Routledge & Kegan Paul, 1966.

___. Risk and Culture: An Essay on the Selection of Technical and

Environmental Dangers. Berkeley: University of California Press, 1982.

___. The World of Goods. New York: Basic Books, 1979.

Dowdeswell, W.H. Animal Ecology. London: Methuen, 1966.

Eiseley, Loren. The Firmament of Time. New York: Atheneum, 1966.

___. The Immense Journey. New York: Vintage, 1957.

Elgin, Duane. Voluntary Simplicity. New York: William Morrow, 1981.

Evans-Pritchard, E. E. Essays in Social Anthropology.

London: Faber and Faber, 1962.

___. A History of Anthropological Thought. London: Faber and Faber, 1981.

___. The Nuer. Oxford: The Clarendon Press, 1940.


___. Nuer Religion. Oxford: The Clarendon Press, 1956.

___. The Position of Women in Primitive Societies and Other Essays in Social

Anthropology. London: Faber and Faber, 1965.

___. The Sanusi of Cyrenaica. London: Faber and Faber, 1949.

___. Social Anthropology. London: Routledge & Kegan Paul, 1951.

___. Theories of Primitive Religion. London: Faber and Faber, 1965.

___. Witchcraft Oracles and Magic Among the Azande. London: Faber and

Faber, 1937.

___. (ed.). Man and Woman Among the Azande.

London: Faber and Faber, 1974.

___(ed.). The Zande Trickster. London: Faber and Faber, 1967.

Evans-Pritchard, E. E., and Fortes, M. African Political Systems.

London: Oxford University Press, 1940.

Farb, Peter, and Armelagos, George. Consuming Passions:

The Anthropology of Eating. Boston: Houghton Mifflin, 1980.

Fogg, William. The Living Arts of Nigeria. London: Studio Vista, 1971.

Ford, E. B. Moths. London: Collins, 1955.

Fox, Robin. Encounter with Anthropology.

New York: Harcourt Brace Jovanovich, 1973.

Gabus, Jean. Аи Sahara: Arts et Symboles. NeuchBtel: La Baconnie

Gray, James. How Animals Move. Middlesex: Penguin, 1959.

Grey, Walter W. The Living Brain. Middlesex: Penguin, 1961.

Hall, Edward T. Beyond Culture. New York: Doubleday, 1976.

___. The Dance of Life. New York: Doubleday, 1976.

___. The Hidden Dimension. London: Bodley Head, 1969.

___. The Silent Language. New York: Doubleday, 1959.

Hill, Polly. Rural Hausa. Cambridge: Cambridge University Press, 1972

Ingle, Clyde. From Village to State in Tanzania.


Ithaca: Cornell University Press, 1973.

Koenig, Lilli. Studies in Animal Behavior. New York: Apollo Editions, 1967

Koestler, Arthur. Bricks to Babel. New York: Random House, 1980.

___. The Case of the Midwife Toad. New York: Random House, 1971.

___. The Ghost in the Machine. London: Hutchinson, 1967.

___. Insight and Outlook. New York: Macmillan, I949.

___. Janus: A Summing Up. New York: Random House, I972.

___.Kaleidoscope. London: Hutchinson, I959.

___. The Roots of Coincidence. New York: Random House, I972.

___. The Sleepwalkers. London: Hutchinson, 1959.

Kohr, Leopold. The Breakdown of Nations. New York: E. P. Dutton, 1978.

___. Development Without Aid. New York: Schocken Books, 1979.

___. The Overdeveloped Nations. New York: Schocken Books, 1979.

Levi-Strauss, Claude. The Raw and the Cooked. Vol. 1. of Introduction to a

Science of Mythology. London: Jonathan Cape, 1970.

___. From Honey to Ashes. Vol. 2 of Introduction to a Science of Mythology.

New York: Harper & Row, 1973.

___. The Origin of Table Manners. Vol. 3 of Introduction to a Science of

Mythology. New York: Harper & Row, 1978.

___. The Naked Man. Vol. 4 of Introduction to a Science of Mythology.

New York: Harper & Row, 1981.

___. Tristes tropiques. Paris: Plon, 1955.

___. The Way of the Masks. Seattle: University of Washington Press, 1982.

LeVine, Robert A. Culture, Behaviour, and Personality.

London: Hutchinson, 1973.

Lienhardt, Godfrey. Divinity and Experience: The Religion of the Dinka.

Oxford: The Clarendon Press, 1961.

Lindauer, Martin. Binas Sprak. Stockholm: Bonniers, 1964.

Lorenz, Konrad. Behind the Mirror. New York:

Harcourt Brace Jov-anovich, 1977.

___. Civilized Man's Eight Deadly Sins. London: Metheun, 1974.

___. Darwin hat recht Gesehen.

Pfullingen, Germany: Guenther Neske, 1965.

___. Der Vogelflug. Pfullingen, Germany: Guenther Neske, 1965.

___. Er redete mit dem Vieh, den Vogeln, and den Fischen.

Vienna, Austria: Borotha-Schoeler, 1949.

___. Man Meets Dog. London: Methuen, 1955.

___. On Aggression. London: Methuen, 1966.

___. Studies in Animal and Human Behavior. Volume I. Methuen, 1970.

___. Veber tierisches und menschliches Verhalten. 2 vols.

Munich, Germany: Piper, 1966.

___. The Year of the Greylag Goose.

New York: Harcourt Brace Jovanovich, 1978.

Marais, Eugene. The Soul of the Ape. New York: Atheneum, 1969.

Morris, Desmond.. The Biology of Art. London: Methuen, 1966.

___. The Naked Ape. London: Jonathan Cape, 1967.

Mumford, Lewis. Technics and Human Development.

Vol. 1 of The Myth of the Machine.

London: Seeker & Warburg, 1967.

___. The Pentagon of Power. Vol. 2 0/The Myth of the Machine. London:

Seeker & Warburg, 1971.

National Museum of Chad. L'Art Sao. N'djamena: Debroisse, 1960.

Paturi, Felix R. Nature, Mother of Invention: The Engineering of Plant Life.

Middlesex: Pelican, 1978.

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