litceysel.ru
добавить свой файл
  1 ... 14 15 16 17 18
Эргономика, инженерная психология и человеческий фактор в дизайне


Alger, John R.M., and Hays, Carl V. Creative Synthesis in Design.

New York: Prentice-Hall, 1962.

Anthropometry and Human Engineering. London: Butterworth's, 1955.

Asimov, Morris. Introduction to Design. New York: Prentice-Hall, 1962.

Banham, Reyner. Theory and Design in the First Machine Age.

London: Architectural Press, 1960.

Buhl, Harold R. Creative Engineering Design.

Ames, Iowa: Iowa State University Press, 1960.

Consumers' Union (ed.). Passenger Car Design and Highway Safety.

Mount Vernon, New York: Consumers Union, 1963.

Diffrient, Niels; Tilley, Alvin; and Bardagjy, Joan. Humanscale 1/2/3.

Cambridge: M.I.T. Press, 1974.

___. Humanscale 4/5/6. Cambridge: M.I.T. Press, 1981.

___. Humanscale 7/8/9. Cambridge: M.I.T. Press, 1981.

Glegg, Gordon L. The Design of Design. Cambridge:

Cambridge University Press, 1969.

Goss, Charles Mayo (ed.). Gray's Anatomy. (27th ed.)

Philadelphia: Lea & Febiger, 1959.

Jones, J. Christopher, and Thronley, D.G. Conference on Design Methods.

New York: Permagon Press, 1963.

McCormick, Ernest Jr. Human Engineering. New York: McGraw-Hill, 1957.

Nader, Ralph. Unsafe at any Speed. New York: Grossman, 1965.

Schroeder, Francis. Anatomy for Interior Designers. (2d ed.)

New York: Whitney Publications, 1948.

Stair, Martin Kenneth. Product Design and Decision Theory.

New York: Prentice-Hall, 1963.

U.S. Navy (ed.). Handbook of Human Engineering Data (Second Edition) U.S.

Navy Office of Naval Research, Special Devices Center, by NAVEXOS P-643,


Report SDC 199-1-2 (NR-783-001. N6onr-i99. TOIPDSCDCHE Project

20-6-1). Tufts University, Medford, Mass., n.d.

Woodson, Wesley, E. Human Engineering Guide for Equipment Designers.

Berkeley: University of California Press, 1954.

Образ, восприятие и творчество

Adorno, T.W. etal. The Authoritarian Personality. New York: Harper, 1950

Allport, Floyd. Theories of Perception and the Concept of Structure.

New York: Wiley, 1955.

Berne, Dr. Eric. Games People Play. London: Penguin, 1970.

___. Principles of Group Treatment. London: Oxford University Press, 1966.

___. The Structure and Dynamics of Organizations and Groups.

New York: J.B. Lippincott, 1963.

___. Transactional Analysis in Psychotherapy. New York: Grove Press, 1961.

Bettelheim, Bruno. The Empty Fortress: Infantile Autism and the Birth

of the Self. New York: Free Press, 1967.

___. The Informed Heart: Autonomy in a Mass Age. London: Paladin, 1970.

DeBono, Edward. New Think. New York: Basic Books, 1968.

Freud, Sigmund. Beyond the Principle. Translated by Strachey.

London: Hogarth Press, 1961.

___. Moses and Monotheism. Translated by Jones. London:

Hogarth Press, 1951.

___. On Creativity and the Unconscious. New York: Torch-books, n.d.

___. Totem and Taboo. Translated by Brill. London: Routledge

& Kegan Paul, 1950. Fromm, Erich. The Art of Loving.

London: Alien & Unwin, 1957.

___. The Revolution of Hope. New York: Harper, 1968.

Ghiselin, Brewster (ed.). The Creative Process. New York: Mentor Books.

Gibson, James J. The Perception of the Visual World.


Boston: Hough ton Mifflin, 1950.

Gordon, William J.J. Synectics. New York: Harper, 1961.

Gregory, R.L. The Intelligent Eye. London: Wiedenfield & Nicholson, 1970.

Gregory, R.L., and Gombrich, E. H. (eds.). Illusion in Nature and Art.

London: Duckworth, 1973.

Grotjahn, Martin. Beyond Laughter. New York: McGraw-Hill, 1957.

Gunther, Bernard. Sense Relaxation. London: MacDonald, 1969. J

Jung, C.G. Archetypes and the Collective Unconscious. 2 vols. London:

Routledge & Kegan Paul, 1922.

___. Psychology of the Unconscious. London: Routledge & Kegan Paul, 1922.

Katz, David. Gestalt Psychology. New York: Ronald Press, 1950.

Koehler, Wolfgang. Cestalt Psychology, rev. ed. New York: Liverigb, 1970.

Koehler, Arthur. The Act oj Creation. London: Hutchinson, 1969.

Kofka, K. Principles oj Gestalt Psychology. London:

Routledge & Kegan Paul, 1935.

Korzybski, Alfred. The Manhood oj Humanity. Chicago:

Library of General Semantics, 1950.

___. Science and Sanity. Chicago: Library of General Semantics,1948.

Kubie, Lawrence S. The Neurotic Distortion oj the Creative Process.

Lawrence, Kansas: The University of Kansas Press, 1958.

Leonard, George B. Education and Ecstasy. London: John Мurray, 1970.

Lindner, Robert. Must You Conform? New York: Rinehart, 1956.

__. Prescription for Rebellion. New York: Rinehart, 1952.

Neumann, Erich. The Archetypal World of Henry Moore. Londor:

Routledge & Kegan Paul, 1959.

Parnes, Sidney, and Harding, H. A Source Book of Creative Thinking.

New York: Scribner, 1962.

Peris, F.S. Ego, Hunger and Aggression. New York: Random Houses, 1969.


___. Gestalt Therapy Verbatim. Edited by J. Stephens. Lafayette, California:

Real People Press, 1969.

___. In and Out of the Garbage Pail. Lafayette, California:

Real People Press, 1969.

Petermann, Bruno. The Gestalt Theory and the Problem of Configuration.

New York: Harcourt, Brace, 1932.

Rawlins, Ian. Aesthetics and the Gestalt. London: Nelson, 1953.

Reich, Wilhelm. The Cancer Biopathy.

New York: Orgone Institute Press, n.d.

___. The Function of the Orgasm. London: Panther, 1968.

___. The Mass Psychology oj Fascism. New York: Orgone Institute Press, 1946.

___. Selected Writings: An Introduction to Orgonomy.

New York: Vision Press, 1972.

___. The Sexual Revolution. New York: Vision Press, 1969.

Rolf, Dr. Ida P. Structural Integration.

Santa Monica, California: Esalen Press, 1962.

Ruesch, Jurgen. Communication. New York: Norton, 1951.

___. Disturbed Communication. New York: Norton, 1957.

___. Non-Verbal Communication.

Berkeley: University of California Press, 1956.

Shanks, Michael. The Innovators. Middlesex: Penguin, 1967.

Smith, Paul. Creativity. New York: Hastings House, 1959.

Spence, Lewis. Myth and Ritual in Dance, Came and Rhyme.

London: Watts Ltd., 1947.

Vernon, Magdalen D. A Further Study of Visual Perception.

Cambridge: Cambridge University Press, 1952.

Wertham, Fredric. Dark Legend. New York: Paperback Library, 1966.

___. Seduction of the Innocent. New York: Macmillan, 1954.

 – The Show of Violence. New York: Paperback Library, 1966.

___.A Sign for Cain: An Exploration of Human Violence.


New York: Macmillan, 1966.

Wiener, Norbert. Cybernetics. New York: Wiley, 1948.

___. The Human Use of Human Beings. London: Sphere, 1969.

Массовая культура, социальные факторы и дизайн

Adams, Brooks. The Law of Civilization and Decay. New York: Vintage, n.d.

Arensberg, Conrad M., and Niehoff, Arthur H. Introducing Social Change.

Chicago: Aldine, 1964.

Boorstin, Daniel J. The Image: A Guide to Pseudo-Events in America.

New York: Harper & Row, 1964.

Brightbill, Charles K. The Challenge of Leisure. New York: Spectrum, 1960.

Brown, James A.C. Techniques of Persuasion. Middlesex: Penguin, 1963.

Cassirer, Ernst. An Essay on Man. New Haven, Connecticut:

Yale University Press, 1944.

___. Language and Myth. New York: Harper & Brothers, 1946.

___. The Myth of the State. London: Oxford University Press, 1946.

Galbraith, John Kenneth. The Voice of the Poor.

Cambridge, Massachusetts: Harvard University Press, 1983.

Goodman, Paul. Art and Social Nature.

New York: Arts and Science Press, 1946.

___. Compulsory Mis-education. Middlesex: Penguin, 1971.

___. Drawing the Line. New York: Random House, 1962.

___. Growing Up Absurd. London: Sphere, 1970.

___. Like a Conquered Province: The Moral Ambiguity of America.

New York: Random House, 1967.

___. Notes of a Neolithic Conservative. New York: Random House, 1970.

___. Utopian Essays and Practical Proposals. New York: Vintage, 1964.

Gorer, Geoffrey. Hot Strip Tease. London: Graywells Press, 1934.

Gurko, Leo. Heros, Highbrows and the Popular Mind.


New York: Charter Books, 1962.

Hofstadter, Richard. Anti-intellectualism in American Life.

London: Jonathan Cape, 1964.

Hofstadter, Richard, and Wallace, Michael. American Violence.

New York: Knopf, 1970.

Jacobs, Norman (ed.). Culture for the Millions? Boston: Beacon, 1964.

Joad, C.E.M. Decadence. London: Faber, 1948.

Kefauver, Estes. In a Few Hands: Monopoly Power in America.

Middlesex: Penguin, 1966.

Kerr, Walter. The Decline of Pleasure.

New York: Simon & Schuster, 1964.

Kronhausen, Dr. Phyllis, and Kronhausen, Dr. Eberhard. Erotic Art.

London: W.H. Alien, 1971.

___. The First International Exhibition of Erotic Art. Catalogue.

Copenhagen, Denmark: Uniprint, 1968.

___. The Second International Exhibition of Erotic Art. Catalogue.

Copenhagen, Denmark: Uniprint, 1969.

Kiinen, James Simon. The Strawberry Statement: Notes of a College

Revolutionary. New York: Random House, 1969.

Larrabee, Eric, and Meyersohn, Rolf (eds.). Mass Leisure.

New York: Free Press, 1958.

Legman, Gershon. The Fake Revolt.

New York: The Breaking Point Press, 1966.

___. Love and Death: A Study in Censorship.

New York; The Breaking Point Press, 1949.

___. (ed.). Neurotica: 1948-1951. New York: Hacker, 1963.

___. Rationale of the Dirty Joke: An Analysis of Sexual Humour.

London: Panther, 1972.

Levy, Mervyn. The Moons of Paradise: Reflections on the Female Breast in Art.

New York: Citadel, 1965.

MacDonald, Dwight. Masscult and Midcult.

New York: Random House, 1961.

McLuhan, Marshall. Culture is Our Business. New York: McGraw-Hill, 1970.


___. The Gutenberg Galaxy. London: Routledge & Kegan Paul, 1962.

___. The Mechanical Bride. London: Routledge & Kegan Paul, 1967.398 Библиография

___. Understanding Media. London: Routledge & Kegan Paul, 1964

___. and Carpenter, Edmund. Explorations in Communication.

London: Jonathan Cape, 1970.

___. and Watson, Wilfred. From Cliche to Archetype. New York: Viking 1

___. and Fiore, Quentin. The Medium Is the Message.

Middlesex: Penguin, 1971.

___. and Parker, Harley. Through the Vanishing Point.

New York: Harper & Row, 1968.

___. and Papanek, Victor). Verbi-voco- Visual Explorations.

New York: Something Else Press, 1967.

___. and Fiore, Quentin. War and Peace in the Global Village.

New York: Bantam, 1968.

Mannheim, Karl. Ideology and Utopia.

London: Routledge & Kegan Paul, 1966.

Mehling, Harold. The Great Time Killer. New York: World, 1962.

Mesthene, Emmanuel G. Technological Change.

Cambridge, Massachusetts: Harvard University Press, 1970.

Molnar, Thomas. The Decline of the Intellectual.

New York: Meridian, 1961.

Myrdal, Jan and Kessle, Gun. Angkor: An Essay on Art and Imperialism.

London: Chatto & Windus, 1971.

O'Brian, Edward J. The Dance of the Machines. New York: Macaulay, 1929.

Packard, Vance. The Hidden Persuaders. Middlesex: Penguin, 1970.

___. The Status Seekers. Middlesex: Penguin, 1971.

___. The Wastemakers. Middlesex: Penguin, 1970.

Palm, Goran. As Others See Us. Indianapolis: Bobbs-Merrill, 1968.

Reich, Charles A. The Greening of America. Middlesex: Penguin, 1972.

Repo, Satu (ed.). This Book is About Schools.

New York: Pantheon Books, 1970.

Riesman, David. Faces in the Crowd.

New Haven, Connecticut: Yale University Press, 1952.

___. Individualism Reconsidered. New York: Free Press, 1954.

___. The Lonely Crowd, rev. ed. New Haven, Connecticut:

Yale University Press, 1950.

Rosenberg, Bernard, and White, David M. Mass Culture.

New York: Free Press, 1957.

Roszak, Theodore. The Making of a Counter Culture.

London: Faber, 1971.

Ryan, Willima. Blaming the Victim. Orbach & Chambers, 1971.

Snow, C.P. The Two Cultures: And a Second Look.

Cambridge: Cambridge University Press, 1963.

Thomson, Denys. Discrimination and Popular Culture.

Middlex: Pengiun, 1970.

Toffler, Alvin. The Culture Consumers. New York: St. Martin’s, 1964.

Veblen, Thorstein. The Theory of the Leisure Class.

London: Alien & Unwin, 1971.

Wagner, Geoffrey. Parade of Pleasure: A Study of Popular Iconography

in the USA. London: Derek & Verschoyle, 1954.

Walker, Edward L., and Heyns, Roger W. An Anatomy for Conformity.

London: Brooks-Cole, 1968.

Warshow, Robert. The Immediate Experience.

New York: Doble-day, 1963.

Yong, Wayland. Eros Denied: Sex in Western Society.

London: Corgi, 1968.

Дизайн и различные культуры

Austin, Robert, and Ueda, Koichiro. Bamboo. Tokyo: Weatherhill, 1978.

Belo, Jane. Traditional Balinese Culture.

New York: Columbia University Press, 1970.

Benrimo, Dorothy. Camposantos.

Fort Worth, Texas: Amon Carter Museum, 1966.

Beurdeley, Jean-Michel. Thai Forms. Freiburg". Office du Livre, 1979.


Bhagwati, Jagdish. The Economics of Underdeveloped Countries.

London: Weidenfeld & Nicholson, 1966.

Carpenter, Edmund. Eskimo. Toronto: University of Toronto Press, 1959.

Cavarrubias, Miguel. Bait. New York: Knopf, 1940.

___. Mexico South. New York: Knopf, 1946.

Cordry, Donald, and Cordry, Dorothy. Mexican Indian Costumes.

Austin: University of Texas Press, 1968.

Gushing, Frank Hamilton. Zuni Fetishes.

Flagstaff, Arizona: KG Editions, 1966.

de Bermudez, Graciela Samper (ed.). Artesanias de Colombia.

Bogota: Litografia Arco, 1978.

Dennis, Wayne. The Hopi Child. New York: Science Editions, 1965

DePoncins, Contran. Eskimos. New York: Hastings House, 1949.

Eliade, Mircea. Shamanism: Archaic Techniques of Ecstasy.

London: Routledge & Kegan Paul, 1964.

Gardi, Ren6. African Crafts and Craftsmen.

New York: Van Nostrand Reinhold, 1969.

___.ArchitecturesansArchitecte. Bern: Buchler&Co., 1974.

Glynn, Prudence. Skin to Skin: Eroticism in Dress.

London: George Alien & Unwin, 1982.

Grass, Antonio. Animates mitologicos. Bogota: Litografia Arco, 1979.

___. Diseno Precolumbina Colombiano. Bogota: Museo del Oro, 1972.

Harris, Marvin. Cultural Materialism. New York: Random House, 1979.

Harrison, Paul. Inside the Third World. Middlesex: Penguin, 1979.

___. The Third World Tomorrow. Middlesex: Penguin, 1980.

Heineken, Ту, and Heineken, Kyoko. Tansu: Traditional Japanese Cabinetry.

Tokyo: Weatherhill, 1981.

Herrigel, Eugen. Zen in the Art of Archery.

London: Routledge & Kegan Paul, 1953.

Hiler, Hilaire. From Nudity to Raiment. London: W. & G. Foyle Ltd., 1930.


Hokusai. One Hundred Views of Mount Fuji.

New York: Frederik Publications, 1958.

Kasba 64 Study Group. Living on the Edge of the Sahara.

The Hague: Government Publishing Office, 1973.

Kwamiys, Takeji. Katachi: Japanese Pattern and Design in Wood,

Paper and Clay. New York: Abrams, 1967.

Jenness, Diamond. The People of the Twilight.

Chicago: University of Chicago Press, Phoenix, 1959.

Kakuzo, Okakura. The Book of Tea. Tokyo: Turtle, 1963.

Kitzo, Harumichi. Cha-No-Yu. Tokyo: Shokokusha, 1953.

___.Formation of Bamboo. Tokyo: Shokokusha, 1958.

___.Formation of Stone. Tokyo: Shokokusha, 1958.

Kubler, Geerge. The Shape of Time.

New Haven, Connecticut: Yale University Press, 1962.

Lee, Sherman E. The Genius of Japanese Design. Tokyo: Kodansha, 1981.

Leppe, Markus. Vaivaisukot. Helsinki, Finland: Werner Soderstrom, 1967.

Liebow, Elliot. Tally's Corner. Boston: Little, Brown, 1967.

Linton, Ralph. The Tree of Culture. New York: Knopf, 1955.

Lip, Evelyn. Chinese Geomancy. Singapore: Times Books International, 1979-

Lopez, Oscar Hidalgo. Manual de construction con bambu.

Bogota: National University of Colombia, 1981.

McPhee, Collin. A House in Bali. New York: John Day, 1946.

Music in Bali. New Haven, Connecticut: Yale University Press, 1966.

Malinowski, Bronislaw. Magic, Science and Religion.

New York: Anchor, 1954.

___. Sex and Repression in Savage Society.

London: Routledge & Kegan Paul, 1927.

Manker, Ernst. People of Eight Seasons: The Story of the Lapps.

New York: Viking, 1964.


Mead, Margaret. Coming of Age in Samoa. Middlesex: Penguin, 1971.

__. Cultural Patterns and Technological Change. New York: Mentor, n.d.

__. Growing up in New Guinea. Middlesex: Penguin, 1970.

__. Male and Female. Middlesex: Penguin, 1970.

___. Sex and Temperament. New York: Morrow, 1935.

Meyer, Karl. Teotihuacan. Milan: Mondadori, 1973.

Michener, James A. Hokusai Sketchbooks. Tokyo: Tuttle, 1958.

Mookerjee, Ajit. TantraArt. New Delhi, India: Kumar Gallery, 1967.

Mowat, Parley. People of the Deer. New York: Pyramid, 1968.

Nicolaisen, Johannes. Ecology and Culture of the Pastoral Tuareg.

Copenhagen: National Museum of Copenhagen, 1963.

Oka, Hideyuki. How to Wrap Five Eggs. New York: Harper & Row, 1967.

Ortega у Gasset, Josft. The Dehumanization of Art. Translated by Weyl.

Princeton, New Jersey: Princeton University Press, 1948.

Ortiz, Alfonso. The Tewa World: Space, Time, Being,

& Becoming in a Pueblo Society.

Chicago: University of Chicago Press, 1969.

Page, Susanne, and Page, Jake. Hopi. New York: Abrams, 1982.

Pianzola, Maurice. Brasil Barroco. Rio de Janeiro: Edicao Funarte, 1980.

Ramseyer, Urs. The Art and Culture of Bali.

Oxford: Oxford University Press, 1977.

Reichard, Gladys A. Navajo Religion: A Study of Symbolism.

Princeton, New Jersey: Bollingen Series,

Princeton University Press, 1950.

Richards, Audrey I. Hunger and Work in a Savage Tribe.

New York: Meridian, 1964.

Rodman, Selven. Popular Artists of Brazil.

Old Greenwich: Devin-Adair, 1977.

Roediger, Virginia More. Ceremonial Costumes of the Pueblo Indians.


Berkeley: University of California Press, 1961.

Rudofsky, Bernard. Architecture without Architects.

New York: Museum of Modern Art, 1964.

___. Are Our Clothes Modern? Chicago: Paul Theobald, 1949.

___. Behind the Picture Window. New York: Oxford University Press 10

___. The Kimono Mind. London: Gollancz, 1965.

___. The Prodigious Builders. New York: Harcourt Brace Jovanovich 197

___. Streets for People. New York: Doubleday, 1969.

___. The Unfashionable Human Body. New York: Doubleday, 1971.

Saunders, E. Dale. Mudra: A Study of Symbolic Gestures in Japanese Buddhist

Sculpture. London: Routledge & Kegan Paul, 1960.

Schafer, Edward H. The Golden Peaches of Samarkand:

A Study of Tang Exotics. Berkeley: University of California Press, 1963.

___. Tu Wan's Stone Catalogue of Cloudy Forest. Berkeley:

University of California Press, 1961.

Scully, Vincent. Pueblo: Mountain, Village, Dance.

New York: Viking Press, 1975.

Sesoko, Tsune. The I-Ro-Ha of Japan. Tokyo: Cosmo Corporation, 1979.

Spencer, Robert F. The North Alaskan Eskimo: A Study in Ecology

and Society. Washington, D.C.: Smithsonian Institution Press, 1969.

Spies, Walter, and de Zote, Beryl. Dance and Drama in Bali.

London: Faber, 1938.

Suzuki, Daisetz T. Zen and Japanese Culture.

London: Routledge & Kegan Paul, 1959.

Sze, Mai-Mai. The Too of Painting. 2 vols.

London: Routledge & Kegan Paul, 1957.

Tange, Kenzo, and Gropius, Walter. Katsura:

Tradition and Creation in Japanese Architecture.

New Haven, Connecticut: Yale University Press, 1960.


Tange, Kenzo, and Kawazoe, Noboru. Ise: Prototype of Japanese Architecture.

Cambridge, Massachusetts: M.I.T. Press, 1965.

Thiry, Paul and Mary. Eskimo Artifacts: Designed for Use.

Seattle: Superior Publishing Co., 1977.

Valladares, Clarival and do Prado. Artesanato brasileiro.

Rio de Janeiro: Edicao Funarte, 1980.

Vazquez, Ramirez. Mexico: The National Museum of Anthropology. Lausanne:

Helvetica Press, 1968.

Viezzer, Moema. Si mepermiten hablar...

Bolivia: underground pamphlet, 1977.

Wagley Charles. Welcome of Tears: The Tapirape Indians of Central Brazil.

New York; Oxford University Press, 1977.

Watts, Alan R. Beat Zen, Square Zen and Zen.

San Francisco: City Lights, 1959-

___. The Joyous Cosmology. New York: Pantheon Books, 1962.

___. Nature, Man and Woman. New York: Pantheon Books, 1958.

Wichmann, Siegfried. Japonisme. New York: Harmony Books, 1981.

Wyman, Leland C. (ed.~).Beautyway:ANavajo Ceremonial. Princeton,

New Jersey: Bollingen Series, Princeton University Press, 1957.

Yee, Chiang. The Chinese Eye. New York: Norton, 1950.

__. Chinese Calligraphy. London: Methuen, 1954.

Yoshida, Mitsukuni, et al. Japan Style. Tokyo: Kondansha, 1981.

Книги и публикации дизайнеров и других авторов

Akerman, Nordal. Kan Vi Krympa Sverige?

Stockholm: Raben & Sjogren, 1980.

Brecht, Bertolt. Gesammelte Werke.

Frankfurt, Germany: Suhr-kamp Verlag, 1967.

Cleaver, Eldridge. Sou! on Ice. London: Jonathan Cape, 1969.

___. Eldridge Cleaver: Post-Prison Writings and Speeches.

London: Jonathan Cape, 1969.


Debray, Regis. Revolution in the Revolution. Middlesex: Penguin, 1968.

Deshusses, Jerome. The Eighth Night of Creation.

New York: The Dial Press, 1982.

Dow, Alden B. Reflections. Midland, Michigan: Northwood Institute, 1970.

Fanon, Frantz. The Wretched of the Earth. Middlesex: Penguin, 1967.

Fischer, Ernst. The Necessity of Art: A Marxist Approach.

Middlesex: Pelican, 1964.

Freire, Paulo. Cultural Action for Freedom. Middlesex: Penguin, 1972.

___. Educacao como Prdtica da Liberdade. Sao Paulo: P. P. C, 1967.

.__• Pedagogy of the Oppressed. Middlesex: Penguin, 1972.

Frisch, Bruno. Die Vierte Welt: Modell einer neuen Wirklichkeit.

Stuttgart: DVA, 1970.

Gardner, John. On Moral Fiction. New York: Basic Books, 1977.

Gonzales, Xavier. Notes About Painting. New York: World, 1955.

Greene, Herb. Mind & Image: An Essay on Art and Architecture.

Lexington: University Press of Kentucky, 1976.

Greenough, Horatio. Form and Function.

Washington, D.C.: privately published, 1811.

Guevara, Che. Bolivian Diary.

London: Cape & Lorrimer 1968

___. Guerrilla Warfare. Middlesex: Penguin, 1969.

Harris, Marvin. Cultural Materialism: The Struggle for a Science of Cult

New York: Random House, 1979.

Kennedy, Robert F. Го Seek a Newer World.

London: Michael Joseph, 1968.

Koestler, Arthur. Arrow in the Blue. London: Hutchinson, 1969.

___. Dialogue with Death. London: Hutchinson, 1966.

___. The Invisible Writing. London: Hutchinson, 1969.

___. Scum of the Earth. London: Hutchinson, 1968.

Laing, R.D. The Politics of Experience. Middlesex: Penguin, 1970.


Mailer, Norman. The Armies of the Night. Middlesex: Penguin, 1970.

___. Miami and the Siege of Chicago. Middlesex: Penguin, 1971.

Mao Tse-tung. Collected Writings. 5 vols. Peking:

Foreign Language Press, 1964.

___. On Art and Literature. Peking: Foreign Language Press, 1954.

___. On Contradiction. Peking: Foreign Language Press.

___. On the Correct Handling of Contradictions among the People.

Peking: Foreign Language Press, 1957.

Marcuse, Herbert. Das Ende der Utopie. Berlin: Maikowski, 1967.

___. One-Dimensional Man. London: Routledge & Kegan Paul, 1964.

Marin, John. The Collected Letters of John Marin.

New York: Abelard-Schuman, n.d.

Miller, Henry. My Bike and Other Friends.

Santa Barbara, California: Capra Press, 1978.

Myrdal, Jan. Confessions of a Disloyal European.

London: Chatto & Windus, 1968.

___. Report from a Chinese Village. Middlesex: Penguin, 1967.

___. Samtida. Stockholm: Norstedt, 1967.

Perlman, Janice E. The Myth of Marginality:

Urban Poverty and Politics in Rio de Janeiro.

Berkeley: University of California Press, 1976.

Richards, M.C. Centering: In Pottery, Poetry and the Person.

Middletown, Connecticut: Wesleyan University Press, 1964.

Saarinen, Eliel. Search for Form. Detroit: Kennikat Press, 1970.

Safdie,Moshe. Beyond Habitat.

Cambridge, Massachusetts: M.I.T. Press, 1970.

___. For Everyone a Garden. Cambridge, Massachusetts: M.I.T. Press, 1974.

___. Form and Purpose. Boston: Houghton Mifflin Co., 1982.

St. Exupery, Antoinede. Bekenjitnis einer Freundschaft Dusseldorf,


Germany: Karl Rauch, 1955.

___. Garnets. Paris: Gallimard, 1953.

___. Flight to Arras. Middlesex: Penguin, 1967.

___. Freiden OderKrieg? Diisseldorf, Germany: Karl Rauch, 1957.

___. Gebete der Einsamkeit. Diisseldorf, Germany: Karl Rauch, 1956.

___. Lettres a Vamie inventee. Paris: Plon, 1953.

___. Lettres a so mere. Paris: Gallimard, 1955.

___. lettres dejeunesse. Paris: Gallimard, 1953.

___. The Little Prince. Middlesex: Penguin, 1970.

___. NightFlight. Middlesex: Penguin, 1939.

___. A Sense of Life. New York: Funk & Wagnalls, 1965.

___. Wind, Sand and Stars. Middlesex: Penguin, 1971.

___. The Wisdom of the Sands. New York: Harcourt, Brace, 1952.

Servan-Schreiber, Jean Jacques. The American Challenge.

London: Hamish Hamilton, 1968.

___. The World Challenge. New York: Simon & Schuster, 1981.

Shahn, Ben. The Shape of Content. Cambridge, Massachusetts:

Harvard University Press, 1957.

Soleri, Paolo. Arcology: The City in the Image of Man.

Cambridge, Massachusetts: M.I.T. Press, 1970.

Sontag, Susan. On Photography.

New York: Farrar, Straus and Giroux, 1977.

Sullivan, Louis H. The Autobiography of an Idea. Chicago: Peter Smith, 1924.

___. Kindergarten Chats. Chicago: Scarab Fraternity, 1934.

Thoreau, Henry David. Walden and Essay on Civil Disobedience.

London: Dent.

Van Gogh, Vincent. The Complete Letters of Vincent Van Gogh

in Three Volumes. London: Thames & Hudson, 1958.

Weiss, Peter. Notizen zum Kulterellen Leben in der Demokratischen Republik

VietNam. Frankfurt, Germany: Suhrkamp Verlag, 1968.


Wills, Philip. Free as a Bird. London: John Murray, 1973.

___. On Being a Bird. London: David & Charles, 1977.

___. Where No Birds Fly. London: Newnes, 1961.

Wright, Frank Lloyd. Autobiography.

New York: Duel, Sloane & Pearce, 1943.

___. The Disappearing City. New York: William Farquhar Payson, 1932

___. The Living City. New York: Horizon, 1958.

___. The New Frontier: Broadacre City. Springreen, Wisconsin:

Taliesin Fellowship Publication, vol. 1, no. 1, October, 1940.

___. A Testament. New York: Horizon, 1957.

___. When Democracy Builds. Chicago: University of Chicago Press, 1945.

Wright, Olgivanna Lloyd. The Shining Brow. New York: Horizon, 1958.

Yevtushenko, Yevgeny. Collected Poems. London: Calder & Boyars, 1969.

___. A Precocious Autobiography. New York: Dutton, 1963.



<< предыдущая страница   следующая страница >>